His/its name is based off 'Pal', but may also be a reference to the HAL 9000 from Arthur C. Liz Moore, amongst other works went on to design the C-3PO suit for the film, Star Wars. He/it appeared in the opening of 'Background Blues' where he/it runs up to R4 and jumps into his lap, but leaves soon afterwards. The ten second shot was filmed over eight hours to achieve a large depth of field. Another ‘Cinefex’ interview with Douglas Trumbull described how Stanley Kubrick shot the model through around fifteen layers of special gauze made from rare, lady stockings from pre-war Europe which softened the tremendous over exposed backlight. From this a fiberglass model was built.Īccording to a ‘Cinefex’ interview with Brian Johnson, Stanley Kubrick wanted the Star Child to have a more ‘evolved’ look with a slightly bigger head. For the Star Child which was built in autumn 1967, she created a clay mould sculpture with features intentionally similar to Keir Dullea. Liz Moore joined the team of 2001: in 1966 and along with the ‘Star Child’, Liz worked in the art department assisting Stuart Freeborn in the creation of the first human masks, and helping to create the Lunar landscapes. Infinity and Beyond: This is the original ‘Star Child’ prop sculpted by Liz Moore, which was thought to be lost until 2003.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |